Client: The Bill and Melinda Gates Foundation, Seattle, WA. Design with the 90% was organized by the Cooper Hewitt, Smithsonian Design Museum.Design Team: Ian Campbell, Kristine Matthews, lead designers; Jeffrey Underwood, graphic designer; Pacific Studio, fabricatorPhotos: Rafael Soldi
Design with the 90% highlights twenty-six projects from across the globe that aim to improve life in some of the world’s most marginalized communities through design innovation. As such, our design needed to accommodate a very eclectic mix of artifacts, materials, imagery, and statistics. Featured projects range from a coffee-grinding bicycle to eyeglasses with liquid-filled lenses whose prescription can be changed on the spot.
We designed the exhibition to reflect the content it embodies; honest, accessible projects that aim to improve the lives they touch. To that end, the design is entirely comprised of sustainable, recyclable materials. Vitrine bases are made from industrial cardboard Sonitubes. Project displays are made of kraft panels with text printed directly on the surface to avoid using plastic. Banners are printed on Tyvek, a material typically used for building envelopes and insulation that is very strong and resistant to tearing. When these banners come down at the conclusion of the exhibition, they will be converted into carrier bags by the Studio Matthews team and donated to the Gates Foundation Discovery Center to raise money for local causes.
“Studio Matthews’ exhibition design is a perfect complement to the spirit and broad scale of the design projects featured in the exhibition. They created a flexible and elegant approach that not only allows each [visitor] to share a distinct story and object, but also creates a simple framework for visitors to easily understand the overarching themes of the exhibition. The end result is both surprising and beautiful.”
— Aleen Adams, Curator of Exhibits and Senior Communications Officer at the Bill and Melinda Gates Foundation